Royal Albert Hall, London
There’s a new narration delivered by Tamsin Greig and the crack forces of the Monteverdi Choir, the ORR and world-class singers, all led by Mark Elder, but the 200-year-old piece remains a strange hybrid
Pirates! Princesses! Mermaids! Fairies! A magic horn! You name it and Carl Maria von Weber chucked it at Oberon – his fantastical, nonsensical, often farcical romp of a final opera, which sees a French knight and his Arabian beloved subjected to magical trials and hardships so that fairy king Oberon can win an argument with queen Titania.
You can see how it happened. The opera’s English libretto (the work was premiered at Covent Garden in 1826) is based on a German poem, itself adapting a French chivalric romance, is a patchwork whose lumpen dialogue (and, latterly, unpalatable attitudes) have rendered it all but unstageable in living memory. Enter Mark Elder, the Orchestre Revolutionnaire et Romantique and Monteverdi Choir to give Oberon a Proms premiere 200 years in the making.
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Royal Albert Hall, LondonThere’s a new narration delivered by Tamsin Greig and the crack forces of the Monteverdi Choir, the ORR and world-class singers, all led by Mark Elder, but the 200-year-old piece remains a str...
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